54 pages 1 hour read

Ariadne

Fiction | Novel | Adult | Published in 2021

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Part 4-EpilogueChapter Summaries & Analyses

Part 4, Chapter 37 Summary

Ariadne recounts Phaedra’s fate to Dionysus, and he listens before letting her go to sleep. The next morning, they talk again, and Dionysus mentions that he knew she was in the clearing the night of the ritual, saying he knows that is why she has begun to withdraw from him. He explains these “blood rites”: Alone of all the gods, he claims, he has the power to bring the recently deceased back to life. Ariadne thinks of Phaedra, but Dionysus says it will not work if the soul has fully departed. This power, he claims, has brought maenads in much greater numbers and will continue to attract thousands of followers. Ariadne confesses that she did not like it, and Dionysus simply tells her not to watch again.

Life goes on as usual, and Dionysus and Ariadne do not discuss the ritual again. Dionysus still leaves on his journeys, and his power attracts many new worshippers. Ariadne tries to justify the rituals, believing they must give “fearful shape to the anger and the grief that had driven so many of [the maenads] here in the first place” (282). Dionysus is still troubled by Argos’s rejection of his worship. Whenever Dionysus brings up Argos and his half brother Perseus, Ariadne thinks about Medusa; her head is now mounted upon Perseus’s shield. She tells Dionysus why the story displeases her: Medusa was punished for Poseidon’s crime, and yet Poseidon is still worshipped. Dionysus notes that “Perseus uses Medusa like [Ariadne’s] father used the Minotaur” and says he wishes he himself could have exacted revenge on Minos and Theseus (284). Ariadne suggests instead that he punish Perseus; she does not actually care that Perseus has banned Dionysus’s worship but wishes to see him humbled and his grotesque shield taken away. Dionysus suggests they travel to Argos together. The next day, they say goodbye to their children and depart for Argos, and Ariadne feels a sliver of hope.

Part 4, Chapter 38 Summary

Dionysus and Ariadne arrive on the Peloponnese peninsula and walk to the city of Argos. As they approach the city, a massive statue looms over them—the goddess Hera. They reach the walls of the city, and Perseus and his guards meet them. Ariadne is surprised that he is not a “swaggering fool” but addresses them mildly. He explains that his city worships Hera, making amends to the goddess since he, like Dionysus, was born from one of Zeus’s affairs. Hera has forgiven him and is the city’s patron deity. Ariadne understands his dilemma completely: He is wise not to risk incurring Hera’s wrath. He denounces Dionysus’s cult and says that Argos will never submit to him. Dionysus threatens him, but Perseus tells him to be gone and leaves.

Ariadne and Dionysus return to their ship, and Ariadne tries to convince her husband to leave. Dionysus refuses; he is determined to force Perseus and his people to submit. Ariadne chastises him for constantly leaving to seek followers while his mortal wife and children grow older and reminds him that he will still have an eternity after they all die. Dionysus says he thinks constantly of the fact that his children and Ariadne herself will one day be only dust. The knowledge pains him and is part of what drives him to prefer mortal worship to mortal love. This hurts Ariadne, but seeing Dionysus’s own hurt makes her uneasy, as she has learned that “a god in pain is dangerous” (292).

Part 4, Chapter 39 Summary

Dionysus sets sail, but rather than head home, he aims straight for Argos’s main bay. He leaves the ship and shouts up at the walls, calling for the Argive women to follow him and offering them protection, freedom from their oppressors, and “the key to life and death itself” (293). The women gathering atop the walls listen but make no move toward him, eventually turning away. Ariadne watches Dionysus, feeling hopeless and humiliated for him but knowing he will not relent. He raises his staff and crashes it against the ground. Snakes come out of the forest, the sky darkens, and the women come pouring out of the city doors, wailing and clutching their heads in pain. Then, all together, they go back into the city. The wailing reminds Ariadne of the women who mourned Phaedra, and she feels sick. She goes below deck, where the maenads huddle in fear. Amidst the women’s screams are high-pitched cries like that of the baby goat ripped apart during the ritual Ariadne witnessed. She cannot bear to watch and waits with the maenads for the horror to end.

Part 4, Chapter 40 Summary

The noise eventually fades, replaced by an eerie song, then shouts of joy, weeping, and finally silence. Ariadne goes up to the deck of the ship and sees Dionysus alone on the beach. He appears before her on the ship, and within the city Ariadne now hears screams and clashing metal. Dionysus says calmly that the city is preparing to fight and that Perseus will seek vengeance against him. He tells Ariadne to stay on the ship and out of sight until he can calm Perseus down. Ariadne demands to know what happened, and Dionysus explains: When the women rejected his call, Dionysus called upon Zeus and brought a “madness” on them. Dionysus wanted to demonstrate his power over life and death; the women went back into the city to bring out their own babies and killed them in their frenzy. However, unlike the goats, Dionysus could not bring the children back to life. Ariadne is horrified and stunned that her own husband could destroy the city’s women in this way. She thinks of how Naxos was a refuge for her and so many women, and how so many more women will need such a refuge; they will not find it while Dionysus rules there, nor if Perseus’s army comes.

The Argive soldiers advance. Ariadne tells Dionysus to hold them back and then never return to Naxos, leaving it to her and the women. She will go to Perseus and sue for peace, telling him to leave Naxos alone and promising Naxos will pose no threat. Perseus stands on a hill, monstrous shield in hand, and an unarmed Ariadne races toward him. As she climbs the hill, she sees Hera standing beside Perseus and speaking to him; she then looks directly at Ariadne, who remembers her nightmare of the goddess. Perseus does not notice Ariadne; he is transfixed by Hera’s visions. Ariadne tries to reach for him, but Perseus charges forward, swinging his shield. Ariadne locks eyes with Medusa’s face and begins to turn to stone. She is frozen in place, and Dionysus comes to her. Ariadne can feel his pain, and she thinks of her children and imagines them all together again. Dionysus makes the same hand gesture he made when sending her wedding crown into the sky to form a new constellation. He says goodbye as Ariadne is fully petrified.

Epilogue Summary

Ariadne is now a star in the night sky and can see all of life beneath her. Her sons are raised by maenads and go on to lead “quiet, unremarkable lives—the greatest gift they could have been given” (304). Dionysus made peace with Perseus and left Naxos to the women and children. Ariadne hears all the prayers of women, who call upon her when they are in the throes of childbirth, and helps to guide their babies to safety and give the women strength.

Part 4-Epilogue Analysis

Through the deaths of the Argive infants, Saint underscores The Danger of Fame, Heroism, and Immortality and how it shatters the lives of innocents. The jovial, benevolent Dionysus who had begun to slip away in Part 3 has now fully given into his Olympian desire for more adoring followers, causing him to act without regard for the suffering of the people—and particularly the women—of Argos. Just before he curses the women, Dionysus confirms Ariadne’s fear: Her mortal love alone is not enough for him. Despite his initial indictment of his fellow gods, he ultimately surpasses them in cruelty. It is no wonder, then, that after her death Ariadne expresses relief that her sons did not follow in their father’s footsteps, instead “lead[ing] quiet, unremarkable lives—the greatest gift they could have been given” (304); this humble fate hearkens back to Dionysus’s earlier statements about the simple joys of human life, which he abandoned in the heat of his rivalry with Perseus.

The slaughter in Argos also illustrates the dark side of the freedom Dionysus offers. The “madness” with which Dionysus is conventionally associated is not so much a state of mental illness as it is a state of altered consciousness—specifically, an ecstatic liberation from the norms of everyday human life and society. Ariadne implies that this state appeals particularly to women because those norms are so often oppressive. However, the logical endpoint of that state proves to be horrific; figuratively, the women of Argos find complete release from the burdens of marriage and motherhood, but they do so by unwittingly murdering their own children.

Out of empathy for the maenads and the pain and grief they sought to escape in coming to Naxos, Ariadne initially attempts to justify her husband’s blood rites. She imagines the comfort the rituals must bring them, but Dionysus’s failure to resurrect the babies in Argos demonstrates that these nightly blood rites offer only false hope. Real satisfaction, the novel implies, lies in the sense of community, solidarity, and sisterhood among the maenads. It is this sisterhood that gives women the strength to weather their circumstances and withstand grief and pain. Even Dionysus seems to realize this. Ariadne’s death forces him to reckon with the inadvertent consequences of his own actions, and his transformation of her into a star and surrender of Naxos to the maenads signify partial atonement. Her death becomes a sacrifice that leaves the maenads of Naxos truly free, while Ariadne herself becomes a symbol of female strength and resolve, particularly for women in childbirth.

In this, Ariadne comes to resemble Medusa, whose story has often inspired Ariadne to show courage in the face of injustice. Ariadne hears the story as a child and empathizes deeply with her as her own story begins to display parallels to Medusa’s; for example, just as Theseus used Ariadne in his victory against the Minotaur, Perseus uses Medusa’s deadly gaze to defeat his enemies. Dionysus also points out the parallel between Medusa and the Minotaur, as men use both as weapons. There is thus deep irony and symbolism in the fact that Ariadne meets her end when she looks upon Medusa’s face. Ariadne believes she understood the Status and Agency of Women in Ancient Greece but fails to recognize the dangers of her relationship with Dionysus until it is too late; coming face to face with Medusa signifies the moment in which Ariadne must fully acknowledge the truth about her life and the lives of so many women. At the same time, her death is what transforms her into a literal guiding star for women. The novel maintains the link between Medusa and female empowerment even as it suggests that there is a cost to that resistance.

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